Creator: Vatsyayana
Translator: Lamairesse, Pierre Eugène, 1817-
Uniform Title: Kamasutra — French
Title: Théologie hindoue. Le Kama soutra.
Language: French
LoC Class: HQ: Social sciences: The family, Marriage, Sex and Gender
Subject : Love
Subject : Sexual intercourse
Subject : Sex
EText-No: 14609
Release Date: 2005-01-05
Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook.
Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Kamasutra by Vatsyayana
Certain Noble Plays of Japan
In the series of books I edit for my sister I confine myself to those that have I believe some special value to Ireland, now or in the future. I have asked Mr. Pound for these beautiful plays because I think they will help me to explain a certain possibility of the Irish dramatic movement. I am writing these words with my imagination stirred by a visit to the studio of Mr. Dulac, the distinguished illustrator of the Arabian Nights.
I saw there the mask and head-dress to be worn in a play of mine by the player who will speak the part of Cuchulain, and who wearing this noble half-Greek half-Asiatic face will appear perhaps like an image seen in revery by some Orphic worshipper. I hope to have attained the distance from life which can make credible strange events, elaborate words. I have written a little play that can be played in a room for so little money that forty or fifty readers of poetry can pay the price. There will be no scenery, for three musicians, whose seeming sun-burned faces will I hope suggest that they have wandered from village to village in some country of our dreams, can describe place and weather, and at
moments action, and accompany it all by drum and gong or flute and dulcimer. Instead of the players working themselves into a violence of passion indecorous in our sitting-room, the music, the beauty of form and voice all come to climax in pantomimic dance.
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The Roly Poly Pudding
The Roly-Poly Pudding
Potter, Beatrix, 1866-1943
Creation of machine-readable version: Charles Keller for Tina
Creation of digital images: Matthew Gibson, Electronic Text Center
Conversion to TEI.2-conformant markup: University of Virginia Library Electronic Text Center. ca. 45 kilobytes
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The Royal Museum at Naples
The ancient Roman and Greek cultures had a very different attitude about sexuality than successive European cultures, more akin to that of the Kama Sutra. This, of course, was unimaginable to latter day Europeans, who rigidly compartmentalized body, mind and spirit, and to whom any sexuality was sinful and morbid.
Some of the best artistic expressions of this can be found in the recovered city of Pompeii. Pompeii was frozen in time by the volcanic eruption of Vesuvius in 79 A.D., and not unearthed until 1748. Pompeii was a seaside resort, devoted to the arts, relaxation, and the pursuit of pleasure. The excavators were horrified to discover erotic frescos, mosaics, statuary and phallic votive objects.
The moveable erotic artifacts were taken to Naples and kept in seclusion in the Royal Museum. The erotic wall and floor art had lockable metal boxes constructed over them and were displayed to tourists for an extra fee (women and children excluded). When I visited Pompeii in the late 1960s, this peepshow was still in operation.
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A Basic Call to Consciousness
The following comprises a very powerful message given by the Hau de no sau nee (or traditional Six nations council at Onondaga) also called the Iroquois Confederacy "to the Non-governmental Organizations (NGOs) of the United Nations in Geneva, Switzerland in September, 1977. The Non-governmental Organizations had called for papers which describe the conditions of oppression suffered by Native people under three subject headings, with supportive oral statements to be given to the commissions. The Hau de no sau nee, the traditional Six nations council at Onondaga, sent forth three papers which constitute an abbreviated analysis of Western history, and which call for a consciousness of the Sacred Web of Life in the Universe."
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A History Of Greek Art
With an Introductory Chapter on Art in Egypt and Mesopotamia
BY F. B. TARBELL
PROFESSOR OF CLASSICAL ARCHAEOLOGY IN THE UNIVERSITY OF CHICAGO
PREFACE.
The art of any artistically gifted people may be studied with various purposes and in various ways. One man, being himself an artist, may seek inspiration or guidance for his own practice; another, being a student of the history of civilization, may strive to comprehend the products of art as one manifestation of a people's spiritual life; another may be interested chiefly in tracing the development of artistic processes, forms, and subjects; and so on. But this book has been written
BY F. B. TARBELL
PROFESSOR OF CLASSICAL ARCHAEOLOGY IN THE UNIVERSITY OF CHICAGO
PREFACE.
The art of any artistically gifted people may be studied with various purposes and in various ways. One man, being himself an artist, may seek inspiration or guidance for his own practice; another, being a student of the history of civilization, may strive to comprehend the products of art as one manifestation of a people's spiritual life; another may be interested chiefly in tracing the development of artistic processes, forms, and subjects; and so on. But this book has been written
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